Love is one of the most powerful forces in the universe. It’s been the subject of some of the best films ever made for good reason, as it’s something that can grab hold of not just your desires, but ...

Zachary Lee interviews director Brian Tetsuro Ivie and star Sydney Chandler on Anima, their sci-fi, SXSW-premiering film.

These are overwhelming times, and disappointment is everywhere. Wouldn’t it be nice to just get away from it all with a nifty procedure and an automated assistant to take care of things? Tempting as ...

These are overwhelming times, and disappointment is everywhere. Wouldn’t it be nice to just get away from it all with a nifty ...

Rachel Mason’s gripping true crime doc My Brother’s Killer is, first and foremost, a love letter. Most blisteringly, it’s an unexpectedly personal love letter to 25-year-old porn actor and aspiring ...

For generations, Indigenous women in Mexico have understood the vast power of mushrooms—medicinal, culinary, spiritual, toxic. Their knowledge has been calibrated and passed down matrilineal channels, ...

Filmmaker is heading to the 40th edition of SXSW, where myself and several talented contributors will be on the ground filing ...

In the opening beats of The Bride!, the second feature written and directed by Maggie Gyllenhaal, the ghost of Mary Shelley (Jessie Buckley) mutters to herself from some dark corner of the ...

In the opening beats of The Bride!, the second feature written and directed by Maggie Gyllenhaal, the ghost of Mary Shelley (Jessie Buckley) mutters to herself from some dark corner of the ...

Lady, the titular lead of Olive Nwosu’s neo-noir feature debut about a taxi driver’s gradual solidarity with a group of Lagosian sex workers, possesses a piercing gaze. She’s not scanning you as much ...

Bedford Park, Chasing Summer, Closure, Everybody to Kenmure Street, Extra Geography, Ha-Chan, I Want Your Sex, If I Go Will They Miss Me, Josephine, Knife: The Attempted Murder of Salman Rushdie, Lady ...

In a year that saw the passing of Jean-Luc Godard, it’s astonishing to see a sometimes overlooked fixture of golden age European art cinema, Jerzy Skolimowski, directing one of his strongest films now ...