Even the strongest visuals are in service of a story that gets further and further away from what worked about the original, and it can't find a strong enough new identity in these smoky woods.

Kevin James has made a career out of a bumbling everyman persona, the average Joe caught in the mercy of those more charismatic, intelligent, or malicious than he is. His newest, “Solo Mio,” a Kinnane ...

She is the Senior Film Programmer at the Jacob Burns Film Center and a contributor to RogerEbert.com.

During the film’s premiere at the New York Film Festival, Laxe and López spoke with RogerEbert.com, their words occasionally ...

Maybe the best review I can give this Rogen/Goldberg reboot is the simplest: I hope they make many more of them.

Documentaries are always a hot commodity at the Sundance film festival, and this year in the premieres category, I was able ...

Nelson Mandela appears in Troublemaker by Antoine Fuqua, an official selection of the 2026 Sundance Film Festival. Courtesy ...

There isn’t a single false beat in director German–Kosovan filmmaker Visar Morina’s anti-capitalist venture “ Shame and Money ...

There’s 14-year-old misfit Sid in “Big Girls Don’t Cry,” who is coming-of-age in New Zealand during the mid-2000s while also ...

The turning point happens deep into episode 2 and continues to the cliffhanger at the end of episode 4. Especially while in ...

The best documentary I saw at Sundance this year, a fest that produced all five of this year’s Oscar nominees for Best Documentary, was Alex Gibney ’s spectacular “Knife: The Attempted Murder of ...

On three films from the Midnights program at the last Park City Sundance about body dysmorphia, 19th century ghosts, and the Beastie Boys.