Mexico City to the Met: Frida Escobedo’s Supercharged Path to Fame
The 45-year-old architect had mostly designed temporary structures before becoming the first woman to design a wing at the ...
The New Yorker15d
The Year the Metropolitan Opera Declared War on the Critics
Peter Gelb thinks “experimental” music leads to dwindling audiences, but performances around the country suggest otherwise.
New York Classical Review5d
Kutasi’s Amneris provides the highlights in Met’s uneven, archaeological “Aida”
For 36 years, Sonja Frisell’s mounting of Aida at the Metropolitan Opera, with its monumental Pharaonic sets by Gianni ...