This cinematic, low-polygon ad looks digital but is in fact live action, with choreographed NPC characters and hand-painted costumes.

Working with a plethora of clients like Hermés and Society Mag to deliver densely packed editorial illustrations, this artist’s love for the botanical and trippy shines through.

The Spillll collective sees what’s served up at the table as fertile ground for radical discussions.

The artisan perfume company’s film practice is at the centre of its success in world building. We talk to Ffern’s co-founder Emily Cameron about what the brand’s approach to marketing has borrowed ...

D and 3D animator Conor Kehelly’s visual world is completely lawless. Whether it’s giant mecha-castles or steampunk tin men, ...

Xiao Hua Yang paints in unfamiliar purples, greens and yellows, rendering the natural world as something alien but always exciting.

People think opera and ballet isn’t for them – that it’s elitist, expensive and intimidating. Institutions need to change that perception, argues Base Design’s Thierry Brunfaut.

The illustrator has been experimenting with tools outside of her usual sketchbook, tablet and computer – with fascinating ...

With jam-packed city scenes to travel through, the illustrated publication is glowing example of why it’s so important to keep making beautiful books for kids.

Jordan’s Furniture becomes just Jordan’s – and in the process, distills everything about the homeware brand down to dots and lines, making it minimal in presentation but loud in playfulness.

The photographer’s first photobook brings together 50 people over 220 pages, to question and examine what it means to “look or act” like a dyke today.

Christopher Mcholm, an artist from Cranbrook, Canada, doesn’t need to be asked how he creates his art – it’s straight to the point. In a visual culture where we’re often asking artists ‘what program ...