T he show that should be on everybody’s lips is New Theatre’s production of Sarah Ruhl’s Stage Kiss. Pucker up for a riotous ...

Playwright Emilie Collyer’s Contest seems to be on the defensive rather than the offensive throughout its seventy five minute ...

If you’re a younger Melbournian, chances are you don’t know at all. Awareness and connection to an event that occurred over ...

T here is no doubt that the three programs presented by the Ensemble Pygmalion were the sensation of this year’s Adelaide ...

There is no doubt that the three programs presented by the Ensemble Pygmalion were the sensation of this year’s Adelaide Festival.

Nearly forty years on, David Williamson’s Emerald City is possibly more pertinent, poignant and passionate, the skewering satire and sparkling dialogue finding solid contemporary footing in Mark ...

A hit, a palpable hit, Hamlet Camp is full of wit, palpable wit. It begins with three poems, autobiographical, lyrical, wry, funny, each presented individually by the author/actor: Skip Retail Therapy ...

Step aside The Boy from Oz, there’s a new contender for the title of ‘The Great Australian Musical’. Melbourne Theatre Company’s My Brilliant Career, based on the 1901 Miles Franklin novel has ...

Before taking husband Joe’s surname of Bradshaw and raising kids through to independent adulthood, Shirley’s life in Liverpool was far more exciting. Now 42, there’s an unexpected chance for a break ...

Above – Akira Akiyama. Cover – Akira Akiyama and Yasuomi Akimoto. Photos – Kate Longley. Giselle was first performed in 1841 and still resonates today, with audiences returning again and again for its ...

Starts at Christmas and charts almost a year. Jack Kearney’s kitchen sinker, Born on a Thursday takes three hours to traverse ten months, a calendar stroll through 1999. Did a year really unfurl at ...