T he show that should be on everybody’s lips is New Theatre’s production of Sarah Ruhl’s Stage Kiss. Pucker up for a riotous ...

Playwright Emilie Collyer’s Contest seems to be on the defensive rather than the offensive throughout its seventy five minute ...

If you’re a younger Melbournian, chances are you don’t know at all. Awareness and connection to an event that occurred over ...

T here is no doubt that the three programs presented by the Ensemble Pygmalion were the sensation of this year’s Adelaide ...

There’s a palpable playfulness to these performances, disciplined, drilled and delightful. There’s fire, bite and fun and lots of kissing.

It’s been almost 15 years since The Book of Mormon premiered on Broadway and even longer since Joseph Smith ‘discovered’ the golden plates that provided the inspiration for the show.

There is no doubt that the three programs presented by the Ensemble Pygmalion were the sensation of this year’s Adelaide Festival.

A hit, a palpable hit, Hamlet Camp is full of wit, palpable wit. It begins with three poems, autobiographical, lyrical, wry, funny, each presented individually by the author/actor: Skip Retail Therapy ...

Nearly forty years on, David Williamson’s Emerald City is possibly more pertinent, poignant and passionate, the skewering satire and sparkling dialogue finding solid contemporary footing in Mark ...

All for what? Five stars! A real rendezvous with posterity, Sheridan Harbridge’s Amplified: The Exquisite Rock and Rage of Chrissy Amphlett is an exquisite channeling of the charismatic performer.

Step aside The Boy from Oz, there’s a new contender for the title of ‘The Great Australian Musical’. Melbourne Theatre Company’s My Brilliant Career, based on the 1901 Miles Franklin novel has ...