It’s an idea-driven science fiction movie that respects the audience’s intelligence. Science itself is at the core of the ...

In a 2006 interview with The Believer, multi-talented artist and activist Marjane Satrapi said, “nothing is scarier than the ...

Some have made the case that throughout their relationship, which began in 1967 when they met at the University of Southern ...

The 2026 Cannes Film Festival drew to a close this past May 24th. In this video dispatch, Chaz Ebert reflects on this year’s ...

Netflix is back with a second iteration of “The Four Seasons,” the Tina Fey production modernizing Alan Alda’s 1981 film of ...

An appreciation for the 2014 charmer from the late, great Lynn Shelton.

I saw “Rocky” twice at the River Oaks Theatre in Calumet City in the winter of 1976-1977, and I’ve watched it somewhere ...

This dispatch contains reviews for two films in the Director’s Fortnight Section and one film in Critics’ Week that may go down as not only the best film of the festival, but one of the best films to ...

Now, showrunners Ben Nedivi and Matt Wolpert have decided to jump back to that (comparatively) simpler era in spinoff “Star City,” detailing how those early legs in the alternate space race looked ...

Midnights have become an unusual program at Cannes, especially as genre titles have broken free from the containment of the ...

A more unsettling type of entrancement awaits in “Death Has No Master,” a Venezuelan drama from Jorge Thielen Armand—also in Directors’ Fortnight—about a woman named Caro (Asia Argento) who returns to ...

Three films that foreground the experience of women navigating what agency remains accessible to them in patriarchal ...