Henry Wallis, “Chatterton” (c. 1855–56), oil on canvas, 62.2 x 93.3 cm (24 1/2 x 36 3/4 in), Tate Gallery, London (all images courtesy the National Gallery of Art) In its first iteration in London, ...

The meaning of art is in the eye of the beholder. To straitlaced Victorians, John Everett Millais’s painting Ophelia epitomized the shocking new ideals of the Pre-Raphaelite Brotherhood, a group of ...

LONDON — In 2019, museums ostensibly wrote women back into art history. In London we saw Dora Maar (Tate Britain), Lee Krasner (Barbican), and Dorothea Tanning (Tate Modern) all step out from behind ...

London’s Tate Britain opened a new exhibition last week entitled The Rossettis. It includes works by Dante Gabriel Rossetti, one of the Pre-Raphaelite group of English artists and poets still usually ...

Women have been written out of art history. Why doesn’t anybody say so? It took me half a lifetime to realise that the story of art I’d grown up with was a story written by men, about men. I didn’t ...

Paid content is paid for and controlled by an advertiser and produced by the Guardian Labs team. National Gallery of Victoria, Melbourne 11 April - 12 July 2015 For the first time in forty years, the ...

Best known as the model for Millais’ much loved Ophelia painting, a new book hopes to foreground her own work as a poet Her pale face floating amongst the reeds, Elizabeth Siddall is best remembered ...