The opening notes of George Gershwin’s “Rhapsody in Blue” are quintessentially cinematic. The lilt of a seductive clarinet begins a recognizable birdsong. A brassy, deep trombone responds. The two ...
Generally, a classical-music concert has that one big piece that obviously qualifies as the “headliner,” the big draw for the show. But when you program “Carmina Burana” and “Rhapsody in Blue” on the ...
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